rollin’ and a tumblin’ it draws nigh
no warning bell tolls
this boiling tempestuous darkness
a mist of uncertainty
splashed with crimson
wrapping you in its threadbare
torn black shroud
black as the coal driven snow
no protection afforded
from the shards of blackness
…..
releasing, enveloping
or entombing?
© 2018 michael d emmerich
cain’s mark, an unstable man groaning and shaking on the earth unable to release his grasp or be the man he could be stains of the past scar for life as the past passes one by if not for you, then who? healing eases the pain but memories remain leaving scars and crosses to bear healing, forgiveness remembrance or a warning that mark comes with a great burden and a sacrificial cost?
© 2018 michael d emmerich
“evil is the active springing from energy”
William Blake (28 Nov 1757 – 12 Aug 1827) English poet, painter, and printmaker
For those who have not dived into the 27 pages of William Blake’s The Marriage of Heaven and Hell, a composition of brief texts and accompanying engravings (done by Blake himself). I would highly recommend that you embark on this very interesting journey as Blake takes the reader on a guided tour of Hell, in which he sets out to correct some of our incorrect notions. Blake was considered mad by contemporaries for his idiosyncratic and at times iconoclastic views on religion and politics, in as much he drew inspiration from the French and American revolutions. A more recent (and very short) study, William Blake: Visionary Anarchist by Peter Marshall (1988), classified Blake and his contemporary William Godwin as forerunners of modern anarchism. In later years after his death he was/is held in high regard for his expressiveness and creativity.
Heaven is good, and Hell is bad. We have had this trite observation told to us since we were old enough to comprehend “right and wrong” – or were told we had an angel on our one shoulder and the devil on the other, each trying to pull us towards right and wrong, good and evil. We have, and still are exposed to countless stories, books, movies and fables equating Heaven with all that is good and Hell with all that is evil. Which one are we always supposed to listen to?
‘Attraction and Repulsion, Reason and Energy, Love and Hate, are necessary to Human existence.’
Life isn’t such cut and dried, neatly separated into such clear polarities. Does it actually make sense to see everything in terms of clear distinct opposites: good and bad, right and wrong, true and false? “What if life is more like a giant pulsing mass of energy, which not only includes but actually needs the darker impulses we normally try to avoid?”
Without contraries is no progression. Attraction and repulsion, reason and energy, love and hate, are necessary to human existence.
Each person reflects the contrary (opposite) nature of God, and that progression in life is impossible without contraries, almost as if in the extremes one finds balance. The push and pull of good and evil, this dynamic relationship is what makes us complete. We need them both to exist. Furthermore Blake explores the opposing nature of reason and of energy, believing that two types of people existed: the “energetic creators” and the “rational organizers”, or, as he calls them in The Marriage of Heaven and Hell, the “devils” and “angels”. It is this vision of the dynamic relationship between a stable “Heaven” and an energized (chaotic) “Hell” that has fascinated readers of this polemic (poem) since it was composed between 1790 and 1793.
In the most famous part of the book, Blake reveals the Proverbs of Hell. These display a very different kind of wisdom from the Book of Proverbs found in the Bible. Biblical. The diabolical proverbs are provocative and paradoxical. Several of Blake’s proverbs have become famous:
“The road of excess leads to the palace of wisdom.”
“The tigers of wrath are wiser than the horses of instruction.”
These are the questions Blake grapples with in The Marriage of Heaven and Hell, as he feels that both good and bad are necessary, interwoven parts of (our) existence. If we shut ourselves off from the bad, we’re also denying ourselves the good.
The book ends with the Song of Liberty, a prose poem where Blake uses apocalyptic imagery to incite his readers to embrace change.
Let the Priests of the Raven of Dawn, no longer in deadly black, with hoarse note curse the Sons of Joy. Nor his accepted brethren whom, tyrant, he calls free, lay the bound or build the roof. Nor pale religious lechery call that virginity that wishes, but acts not !
For everything that lives is holy
Closing Notes:
Plate from Marriage of Heaven and Hell
(Bleeding Words Part 2)
Additional thoughts on this poem I wrote on 27 Feb, 2018 – Bleeding Words – my journal is littered with half finished poems and new ideas/concepts/memories; keep falling onto the pages. Just battling to put many of the ideas to bed, as finished poems, the final close out of many of the poems just escapes me at present ….
red stained pages drenched, dripping cannot see the words for blood draining from my pen onto the floor pooling coagulating words escaping frozen and timeless in blood
© 2018 michael d emmerich
Autumn Moon and Sun sets …. All in days work … 🙂
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