fluttering eye lids in the morning light
cascading hair across her visage
my love lies in a gentle slumber
slowly the gateway to her emotions opens
fluttering eyelids reveal what lies beneath
unleashing the emotions
lying behind the portal
they spring forth
revealing all the colours of the rainbow
the colours of love, lust, longing
desire, happiness
sadness
the rainbow in her eyes
I am privileged to see
and partake in all the colours
the embryonic morning sun
peeps hesitantly over the mountain
slowly it crawls forth to emerge
escaping from the grasp of night’s pupae
radiant kaleidoscope wings gently emerge
the new day creeps forward
pushing back the night
day emerges, languidly stretching out
offering itself to those in need
who have passions to be sated
new dawn brings new promises
the intended gift of new passions
the impatient subimago fidgets
unable to fully relish the gift
further unfurling wings
expose more of the vivid rainbow
only when the imago finally emerges
can the passions be fully unveiled
totally releasing the new day
mornings passion breaks forth in full colour
imago is now ready, waiting, eager
fully active, totally passionate
unfurling, opened, spread to full imago
releasing new passions, to be desired
the new day can now be fully devoured
let us engorge ourselves
on the alter of unfurled passions
A friend from the twittersphere, @nikkiejanee1972, posted a song lyric with an interesting picture, the image raised many thoughts, ideas and emotions. After a few back and forth tweets, the challenge was laid down, to write a poem about the picture. This is what came out of looking at that photo. I have once again dipped into the music and words of my muses, the image is the one above.
the rollin’ and tumblin’ fog fast approaches
the moon out in space cannot see
as mist drifts over its face
the day becomes night
the night is filled with shadows
the early doom fast approaches
muted misty sounds drift hither, thither and wither
her dress reaches out as she spins round twirling, seeking
twin distant orbs burn holes in the mist
the portal etched into the road becomes visible
a guttural grunt, bark, or cough reaches out and grabs your spine
in the damp chill your hair clings to your neck
Cthulhu roars
the bloated corpulence of his writhing body
slowly emerges
you are lost in a timeless fog
refusing to be driven insane by gazing on the monstrosity
are you not already dreaming of R'lyeh
how does it feel
to be so alone, with nowhere to roam
any day now the fog will lift and the night will end
truth will be revealed as the fog is clawed back
worldwide insanity and mindless violence
finally displacing humanity forever
or just a dream, within a dream
the landscape slowly claws back the light
gleaming in the golden light of dawn
what does it bring
death and destruction
or coffee
the black snake stretches languidly across the land
unfurled over hills and vales
craning its head back as it beckons, sans hand
come, faster, faster you must prevail
you reach out to attack the black snake
grasping, clutching, familiar smells of the hunt return
bringing with them the pain and ache
you push, feeling the burn, avoiding deaths urn
those familiar markings on the naked skin
as you flick through the curves at high speed
the evocative colours of the original sin
all happening so fast you battle to read
always playing catch up with that snake
but it keeps unfurling further and further
hoping against hope you can still partake
before your fuel vanishes into the ether
this never ending unfolding black dream
eludes all who demand the chase
its best just to sit by the stream
and be enfolded by the soothing grace
of the snakes coup de grace
A mix of thoughts, questions and ideas; analysing what and how we troll the depths of our creative wells. What inspires me (or you dear reader, for that matter) to be drawn to pen what I pen. Of late, these thoughts have been spinning through the dark passages of my mind. Then I had an epiphany…. which has lead me to pen this article on where and how I draw from my well of inspiration.
The one thing I do know, that for me to tap my inspiration I need to be on an emotional high or low. I cannot just be bumbling along, on an even keel. I get ideas and thoughts regardless of my emotional state, but I can only act on them when my emotions are out of alignment. Hence I at times have to drag myself into a thoughtful, dark place to take the ideas in my head or notebooks, and then translate them into words on paper. The easiest way for to do this is via music, I have a few artists whose lyrics have the best effect on me, they drag me into a thoughtful emotive state to best translate my thoughts to paper. There are some songs on depressing subjects out of which I have written emotive, and even positive or romantic poems. That will keep some “shrinks”happy for hours or even the subject of an interesting article for “Psychology Today” 🙂 My wife is relieved to hear that I do not have to be physically depressed to draw my thoughts out 🙂
I do know that reading and music are very useful triggers for me to draw deep from the well; both of need to be on the dark side, for me to accurately tap my creative well. Reading the First World War Poets; notably Owen and Sasson, and some of the classical Poets; Milton, Blake, Elliot and Chaucer (although he is more humorous than dark). Musically the lyrics of Dylan and Springsteen are best or the harmonious sounds of Pink Floyd ELP and Ulver – http://www.jester-records.com/ulver/ulver.html (especially there their album: THEMES FROM WILLIAM BLAKE’S THE MARRIAGE OF HEAVEN AND HELL). These are my main sources of flitting on the edges of deep dark thoughtful emotions. My wife has an interesting take on my mindset, she feels I thrive on or need angst in my life… not entirely convinced on that front yet … 🙂 but she does have a point ….
The whole subject of creativity and depression is well documented over the years, with many interesting articles written on the great painters, composers and writers. So far be it from me to expound to much further or bore you with details of the great ones. I do want to share a few very interesting articles I found on one of my favourite websites; if you have not visited Maria’s site please pop over to: https://www.brainpickings.org/ and follow her on twitter: @brainpickings
Alison Bechdel on Writing, Therapy, Self-Doubt, and How the Messiness of Life Feeds the Creative Conscience
“It’s by writing… by stepping back a bit from the real thing to look at it, that we are most present.” https://www.brainpickings.org/?s=alison+bechdel
Probability Theory Pioneer Mark Kac on the Duality of the Creative Life, the Singular Enchantment of Mathematics, and the Two Types of Geniuses
“Creative people live in two worlds. One is the ordinary world which they share with others and in which they are not in any special way set apart from their fellow men. The other is private and it is in this world that the creative acts take place.” https://www.brainpickings.org/?s=Mark+Kac
My goal is to have about 50 poems by year end and then publish the best in an anthology with a short back story to the history/journey it took me to write the poem, and what/where or how I was inspired. Some of them are deeply personal, others are from my past and some are just diatribes about life, the world and all the shit going down . It is amazing how writing in different styles stretches my mind and also how some poems just fly out in machine gun staccato burst and others have to be dragged out over a day or two. Thanks for the feedback and I do hope you are enjoying taking this journey with me, I cant say its always fun, but the thoughts and inspiration sometimes take on their own life and just have to be written.
Inspired by the song On the Turning Away by Pink Floyd; I paused to write this poem
Light is changing to shadow
And casting it’s shroud
as the day fades to grayand then shifts from gray to darkbefore we long for the promise of a new daywe need to cling to the dark
even when it is dark, it's not dark yetas it is always darkest, just before the dawnas a new day beckons with promise, on the morn
the shadow shroud enfolds the world in grayand teases with a promise, as the gray flickers to darkwith the dark is a promise of a new daywhen the morning slivers slice back the dark
that sense of expectation, that it is never darkthere is always a new beginningno matter how dark yesterday felttoday can be the brightest day yetas we continually move through the cycle of lifelight dark light dark …. light
A comment made to my wife, Tania, when we were sitting on the sofa at home each engaged in our own thoughts/activities, but still at one; it inspired me to pen the following poem.
the beautiful silence between loversthe solace in the silencewhere words are not needed to uncover the hidden messages of compliance
the beauty of the silent bondsthat tie two stars into the same orbitan orbit that does not require one to respondother than in a soft touch or knowing lookas a means of expressing ones love
intimate hushed companionship, as suchreinforces the strength of silent conversationthe intimacy of conversing by touchheightens the silent smiles and wink of flirtationunity in our silent separateness leads to stronger ties that bind
In Paul Zollo’s book “Song Writers on Song Writing”, the expanded 4th edition, in teh interview he held with Bob Dylan; Dylan makes an interesting comment, in how often songs “come to him”. That’s how he could write “Blowing in the Wind” in 10 minutes, which he says came right out of that well spring of creativity.
Does Dylan think he can do it again today? No, says Dylan. “You can’t do something forever,” he says. “I did it once, and I can do other things now. But, I can’t do that.” when speaking to Ed Bradley on 60 minutes in 2004. he also goes onto to say: “I don’t know how I got to write those songs. Those early songs were almost magically written,”
Dylan seems to be saying that his muse, that wellspring of creativity he so magnificently tapped in that golden era of the early sixties, is gone and he is not able to access it anymore. Thom Hickey in his article You really should have been there says:
“Over the next 47 years he would never again attain the heights of inspiration achieved through to 1966 (neither would anyone else!)”
Before he even attained those great heights in the of the mid-60’s he was already writing lyrics that would never be matched. My favourite Dylan protest song “Masters of War” was written when he was just 22! Released in 1963 on his Freewheelin’ album, the message is timeless and still relevant to all the current ongoing conflicts across the globe.
Dragging the conversation back to its original question, has Dylan lost his muse and can one just lose your muse? Webster’s dictionary defines a “muse” as any of the nine sister goddesses presiding over song, poetry, the arts and sciences. Greek mythology aside, writers think of a muse as a source of inspiration, a guiding genius rife with ideas. Writing teachers say one way to not lose your muse is “Just keep your hand moving and write!”- be your own muse.
Dylan has most certainly done that, he has published six books of drawings and paintings, released 36 albums (excluding live albums and bootlegs) and written well over 500 songs …and counting…
That wellspring of creativity, has sustained Dylan for more than 50 years, and it keeps on giving, and he keeps telling his tales in a different way, with each telling. People who attend his concerts say, that they do not even recognise some of his songs as being their favourite, until halfway through, he keeps experimenting, reinventing himself and his music. I think his muse has changed, if we track his career/life and all the transitions/phases he has gone through, he certainly does not have that 60’s muse anymore, but has proven he still has the craft and the gift. Although Dylan might disagree:
“I’m a ’60s troubadour, a folk-rock relic. A wordsmith from bygone days. I’m in the bottomless pit of cultural oblivion.” – 2004
His last album, Tempest, still proves he can tell a great story, despite his voice being a bit more gravelly. The title track still gives me goosebumps when I listen to it…all 15 minutes of it!
Tempest is fantastic, but being impressed by Dylan is old hat. That he still finds ways to surprise us is an achievement beyond all comprehension. -American Songwriter 2012
His angry protest song Pay in Blood, from the same album – Tempest – brings back memories of his 60’s anger. You can hear his anger, his sneering voice as he growls and rasps over cutting and biting lyrics.
“Another politician pumping out the piss,” he sings later, the microphone audibly struggling to cope with the ferocity of his delivery. “You bastard, I’m supposed to respect you? I’ll give you justice.”
Dylan does not soften the blow here, as he does on Like a Rolling Stone, he vents his anger fully, proving that he can still be angry and anti-establishment in his 70’s 🙂
Possibly one of Dylan’s muses is/was his first wife Sara. She is definitely a key player in Dylan’s history and worthy of remembrance as the inspiration for some of his most incredible songs. Notably Sara and Sad-Eyed Lady of the Lowlands. Sara is possibly Dylan’s most public display of his own personal life, and an ambitious tribute to his wife, Sara. The song also gives us a rare glimpse into the intensely personal and closed life Dylan leads. Rarely does he address a real person in his music, here he does and it is very autobiographical.
This was released in 1976 on the album Desire, Sara and Dylan were divorced the next year in 1977. They have apparently remained close (despite the acrimonious divorce) and they have still travel/holiday together. In fact his son Jakob said:
“My father said it himself in an interview many years ago: ‘Husband and wife failed, but mother and father didn’t.’ My ethics are high because my parents did a great job.” Jakob Dylan – 2005
Well we wish Dylan and his many Muse’s well, he has provided us with many thought provoking and entertaining albums through the years and I believe he still has songs left in his well, its not dry yet, or dark.
The book subtitles itself as:
“Break through the blocks and win your inner creative battles”
I highly recommend this read, I found it both inspiring and thought provoking it also has pushed me to think deeper about what it means to be a writer and the responsibility that the tag carries.
Here are a few extracts which have got my mind buzzing: (I have paraphrased or changed some of the sentence layouts to make sense to me), but they are still Steven’s words.
The professional seeks order and eliminates chaos from his world and he wants the threshold swept and kept clean, so that the Muse may enter and not soil her gown – page 77
We must not become distracted by our own nonsense – page 123
The instinct that pulls us toward art is the impulse to evolve, to learn, to heighten and evaluate our consciousness. The Ego hates this. Because the more awake we become, the less we need the Ego. – page 140
This is a form particular interesting few chapters that delve into Jungian psychology. It explains the difference between the Self and the Ego and how having an understanding of this can nudge us towards our goal of being a writer/artist.
Our biggest fear holding us back, might be the fear that we will succeed, that we will become the person that we sense in our hearts we truly are; the artist/writer. – page 143
And his closing sentence at the end of the book (spoiler alert) 🙂
Don’t cheat us of your contribution. Give us what you’ve got!
This is so true, let just do it .. and write, paint, create, lets achieve our own greatness.
“Whatever you can do, or dream you can, begin it. Boldness has genius, magic and power in it. Begin it now.” – WH Murray